KLEA McKENNA | Press
Quiet Lunch, Klea McKenna Steps Into the Light with Bi-coastal exhibitions, by Kurt McVey
LA Times, review of Generation, by Sharon Mizota
Collector Daily, Review of Generation by Richard B. Woodward
Museé Magazine, Review of Generation by Adam Ethan Berner
LA Weekly, Review of Generation by Shana Nys Dambrot
Photograph Magazine, Review of Generation by Michael Wilson
San Francisco Chronicle by Maxine Marshall, “Texture-rich photograms in ‘Witness Mark,’ from EUQINOMprojects”, December 2017
LensCulture by Coralie Kraft, “Interview: The Photographer’s Touch: Photograms and Alchemy”, April 2017.
Art in America, Rematerializing Photography, by Leah Ollman
Art and Antiques Magazine, Low Tech, High Concept. Review of Low Fidelity at CPA
Carmel Magazine, review of Low Fidelity at CPA
VICE Magazine by Noémie Jennifer, "These Poetic Photograms Were Made in Total Darkness in Nature", Creator's Project, April 4, 2017.
Los Angeles Times by Leah Ollman, "Automatic Earth", November 2016.
Artforum by Kim Beil, “Critic's Pick: ‘Of Many Minds’”, October 2016.
PDN Magazine by Holly Hughes, "Photography's New Dimensions", cover, August 2016.
The New York Times Style Magazine by Caroline Hirsch, "Review No Light Unbroken", September 2014.
Vice Magazine by Tao Lin, “‘The Butterfly Hunter’ by Klea McKenna”, 2014.
LensCulture by Alex Strecker, "Contact: Direct Reflections of Landscape", 2014.
Conveyor Magazine by Christina Wiles, “The Alchemy Issue,” 2014.
Magazine Gitz, South Korea Interview In conjunction with the exhibition Tracing Light, Issue #4, 2010.