KLEA McKENNA   |  Press



Art in America, Best Photography Books of 2018, Critic’s Pick by Leah Ollman

Art Practical by Vanessa Kaufmann-Zimmerly, “Three Movements through Klea McKenna’s Witness Mark”, January 16, 2018.

Quiet Lunch, Klea McKenna Steps Into the Light with Bi-coastal exhibitions, by Kurt McVey

LA Times, review of Generation, by Sharon Mizota

Collector Daily, Review of Generation by Richard B. Woodward

Museé Magazine, Review of Generation by Adam Ethan Berner

LA Weekly, Review of Generation by Shana Nys Dambrot

Photograph Magazine, Review of Generation by Michael Wilson

San Francisco Chronicle by Maxine Marshall, “Texture-rich photograms in ‘Witness Mark,’ from EUQINOMprojects”, December 2017

LensCulture by Coralie Kraft, “Interview: The Photographer’s Touch: Photograms and Alchemy”, April 2017.

Art in America, Rematerializing Photography, by Leah Ollman

Art and Antiques Magazine, Low Tech, High Concept. Review of Low Fidelity at CPA

Carmel Magazine, review of Low Fidelity at CPA

VICE Magazine by Noémie Jennifer, "These Poetic Photograms Were Made in Total Darkness in Nature", Creator's Project, April 4, 2017.

Los Angeles Times by Leah Ollman, "Automatic Earth", November 2016.

Artforum by Kim Beil, “Critic's Pick: ‘Of Many Minds’”, October 2016.

PDN Magazine by Holly Hughes, "Photography's New Dimensions", cover, August 2016.

The New York Times Style Magazine  by Caroline Hirsch, "Review No Light Unbroken", September 2014.

Vice Magazine by Tao Lin, “‘The Butterfly Hunter’ by Klea McKenna”, 2014.

LensCulture by Alex Strecker, "Contact: Direct Reflections of Landscape", 2014.

Conveyor Magazine by Christina Wiles, “The Alchemy Issue,” 2014.

Magazine Gitz, South Korea Interview In conjunction with the exhibition Tracing Light, Issue #4, 2010.